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mathiaszamecki:

Black and white comps

(via darkmechanic)

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(Source: nhodesign, via tretonnoir)

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vuls:

Harri Koskinen, Block Lamp, 1996

vuls:

Harri KoskinenBlock Lamp, 1996

(via 20aliens)

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darkmechanic:

Destiny Hunter - 
Couldn’t resist doing some fan art, thoroughly enjoyed the hell out of the Beta, looking forward to the release in September and basically putting everything life related on hold for about 2 years. 

darkmechanic:

Destiny Hunter - 

Couldn’t resist doing some fan art, thoroughly enjoyed the hell out of the Beta, looking forward to the release in September and basically putting everything life related on hold for about 2 years. 

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vicemag:
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momarkmagic:

Army of Darness (cropped) - Composition sketch #art #conceptart #digitalart #fantasy #speedpainting #sketch

momarkmagic:

Army of Darness (cropped) - Composition sketch #art #conceptart #digitalart #fantasy #speedpainting #sketch

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bassman5911:

都市迷彩 by 脱殻

bassman5911:

都市迷彩 by 脱殻

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sloppy:

Struggling camels silhouetted against the oil-fire, al-Ahmadi oil field, Kuwait, 1991

‘The darkness caused by the burning oil wells was like a moonless night. The exposure on my camera was about a quarter of a second on f2.8.’ The photographs show a scorched, infernal place, ‘but they don’t convey the fine mist of oil that hung in the air and coated my cameras, or the deafening roar of the burning wells. Nor do they show the unexploded bombs and mines that dotted the desert. I’ll never forget the moment I got out of the car to stretch my legs and caught a glimpse of an allied lawn-dart mine behind the vehicle with our tire tracks running right over it!’

by, Steve McCurry 

sloppy:

Struggling camels silhouetted against the oil-fire, al-Ahmadi oil field, Kuwait, 1991

‘The darkness caused by the burning oil wells was like a moonless night. The exposure on my camera was about a quarter of a second on f2.8.’ The photographs show a scorched, infernal place, ‘but they don’t convey the fine mist of oil that hung in the air and coated my cameras, or the deafening roar of the burning wells. Nor do they show the unexploded bombs and mines that dotted the desert. I’ll never forget the moment I got out of the car to stretch my legs and caught a glimpse of an allied lawn-dart mine behind the vehicle with our tire tracks running right over it!’

by, Steve McCurry 

(via 20aliens)

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20aliens:

talk to a real personby Stephen Shore

20aliens:

talk to a real person
by Stephen Shore

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tasteforthetasteless:

Bruce Howerda-

(via tretonnoir)

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infinitemachine:

Ancient Spaceship by Tomasz Strzalkowski
Photoset

gameraboy:

Shooting the Nostromo’s landing leg for Ridley Scott’s Alien. It was constructed full scale.

(via apdee)

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simonstalenhag:

I’m putting together an artbook with my pictures with the help of the talented people at Fria Ligan Publishing. It will also include my writings about the riksenergi universe, although texts will be in Swedish in the first edition.
Our aim is to have the book completed for a september 2014 release, but you can alteady pre-order at:
http://frialigan.se/produkt/ur-varselklotet-simon-stalenhag/

simonstalenhag:

I’m putting together an artbook with my pictures with the help of the talented people at Fria Ligan Publishing. It will also include my writings about the riksenergi universe, although texts will be in Swedish in the first edition.

Our aim is to have the book completed for a september 2014 release, but you can alteady pre-order at:
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So many xenomorphs, which one is which?

So many xenomorphs, which one is which?

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